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The Synth-Pop Duo's Musical Force Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell with Marc Almond at Leeds during 1977

The talented musician, one half of the groundbreaking 1980s electronic music band Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the duo achieved a global success with their cover of Gloria Jones' Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is regarded as a classic of synth-pop.

He subsequently formed the pioneering electronic act The Grid, who achieved popular acclaim with their 1994 single the hit Swamp Thing.

Ball passed away peacefully in his sleep at his home in London on Wednesday 22 October, only a short time after performing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

During that performance, Ball performed in a wheelchair, as he had for the previous couple of years, following a period of ill-health.

"I managed to damage myself significantly," he stated in a recent interview. "I broke lower vertebrae in my back and cracked about five ribs and broke my wrist."

Following contracting a lung infection and suffering from sepsis, he was placed in an induced coma and stayed in hospital for seven months.

Nevertheless, he had been in "a great place emotionally" over the summer, as he worked on a new album with Almond, called the upcoming Danceteria, which is set for publication next year.

"He was focused and very pleased with the latest project that we literally finished only a short time ago," stated the singer in a heartfelt message.
"It's so sad as next year was completely planned to be such an positive time for him, and I take some solace from the knowledge that he heard the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the early 1980s

Heartfelt Messages

Almond referred to his collaborator as "a wonderfully brilliant creative mastermind", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our legacy.

"Many thanks Dave for being an immense part of my life and for the songs you created with me. I couldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, remembering Ball's "constant humor" and "steadfast support".

"Being in a partnership with someone is different from joining a group, the connection is incredibly close," he added.
"That was the case with us. We experienced so many remarkable, extraordinary, life-affirming experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Early Life

Born into a one-parent family in the city of Chester in 1959, Ball was given up for adoption when he was 18 months old.

He was raised in the seaside town with adoptive parents Donald and Brenda Ball, who changed his given name from Paul to his adopted name, together with his younger sister his sister, who was also adopted.

He encountered Almond at Leeds Polytechnic in 1977, where they were both studying fine arts. Inspired by a shared love of Northern Soul, they established Soft Cell the same year, and quickly produced an extended play.

Creative Collaboration

The pair were an distinctive pairing: Ball was the reserved technician, bent over his synthesizer, while Almond was a flamboyant performer, all sparkle and eye-liner; but they achieved a rare musical alchemy.

Ball had developed a fascination with synthesizers after watching Kraftwerk perform on BBC program a popular series, and started to combine dark electronica to the soaring melodies Almond was composing.

Tainted Love became the UK's second biggest-selling song of the early 80s, selling millions of copies worldwide. Together with successful tracks by other artists, contemporary bands and Ultravox, it helped paved the way for the synth-pop sound of the 80s.

The track was also included on their first album, Non-Stop Erotic Cabaret, which spawned two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which reached at the second position in 1982.

Soft Cell in the studio
The duo were developing fresh songs right up until Ball's death

Career Highlights

Success had its benefits. "I loved being able to purchase my initial property, having money and exploring, which makes me sound like a beauty queen," Ball recently shared with a publication.

But it also presented challenges. "Sudden riches allowed we could afford newfound drugs to alleviate the boredom" of press appearances and television shows, Ball explained.

"I realize that's a common saying, but it's a truism for a good reason, because it works for so many musicians."

Amidst the hedonistic lifestyle, the duo were also drifting apart, but they succeeded to create a follow-up memorable record - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They put out one more album, 1984's This Last Night In Sodom, before dissolving the group to concentrate on individual endeavors.

Almond went on to have a successful solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with ambient pop over a long-lasting partnership.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, releasing the Top 40 album Cruelty Without Beauty.

Following another hiatus, they reappeared in recent years, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the O2 Arena on September 30, that year.

Yet, they stayed together, recording their latest project, Happiness Not Included, during the pandemic restrictions.

Ball lately described the band's new album as a tribute to the NYC nightlife they visited while recording their first two albums.

He noted that his period in hospital had shaped the group's music.

"I experienced strange recollections when I was coming and going of hospital because I was on pain medication," he explained to a music magazine.
"The new songs are a electronic representation of the sounds in my head from those days.
"Simultaneously, it's about the experiences me and Marc had in the 1980s."

The final mixes were completed only days before Ball died. It is due for launch in the spring of 2026.

About the author

Jacob Bradley

A passionate educator and writer sharing insights on student development and campus culture.

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